Teri's artistic practice is diverse (including both 2D and 3D) and she is always experimenting with both materials and techniques (often in combination). She is particularly interested in the structure of things (both natural and man-made). Taking photographs (both digital and on 35 mm black and white film) is fundamental to her practice both as a separate medium and as the source material for virtually all her work. The medium she has concentrated most on in recent years is screenprinting (done at Volcanic Editions in Brighton) and, typically, she works in series creating a lot of images on related subject matter including Trees & Roots (natural) and Lines (man-made, architectural).

However, 2022 saw the resumption of work on the Skyscape series based, typically, on photographs of dawns, clouds and dusks taken from the back of her house looking out over the English Channel. Whereas the earlier works in the series were etchings, these are all screen monoprints with the background being a blend onto which a number of layers are added by applying ink and paste directly onto an open screen. These are then pulled with a squeegee in the normal manner. This now comprises a considerable body of work (almost 50 separate monoprints) and Teri expects to go on working on this subject in this manner for the foreseeable future.